In Photos: Mia Farrow's Most Iconic Moments in the '60s and '70s

From her Vidal Sassoon-styled pixie to iconic roles in films like Rosemary's Baby and The Great Gatsby, Mia Farrow cemented herself as an icon both in Hollywood and the fashion world. We're taking a look back at her best moments in photos from the '60s and '70s.

Mia Farrow emerged onto the scene as a teen in the early '60s. As the daughter of film star, Maureen O'Sullivan, and famous director, John Farrow, she began earning small movie roles and made her off-Broadway debut in 1963 in The Importance of Earnest.

Growing up in a prestigious show business family, Farrow attended Catholic parochial schools in Los Angeles and grew up in the comforts of Beverly Hills. "That time shines now like a beautiful, far-off golden dream," she wrote in her memoir What Falls Away.

Although acting was her main ambition, Farrow got her start modeling in the early '60s. Her long blonde hair made her the picture of the decade's flower child movement.

Farrow's first major role was as Allison MacKenzie on the soap opera, Peyton Place. The drama, set in a small idyllic town, was TV's first prime time soap opera. The show ran for five seasons, but Farrow left after two years.

While Peyton Place raised Farrow's profile, the actress was eager to break into film. In 1964, she landed her first starring movie role in Guns at Batasi.

Farrow portrayed Karen Eriksson in Guns at Batsai. While British actress Britt Ekland originally signed on for the role of Eriksson, she backed out of production and Farrow was quickly chosen as her replacement.

The press flew into a tizzy when Farrow was spotted as a guest on Frank Sinatra's yacht in 1965. The couple made headlines for their wide age gap. At 19, Farrow was almost 30 years younger than 48-year-old Sinatra.

Farrow at lunch with her mother and younger sister in New York City. The actress was getting lots of press attention as her relationship with Sinatra unfolded.

Farrow's rising fame was cemented in 1965 when she took home a Golden Globe for Best New Actress. The star wore her long blonde hair in a high chignon and donned an elegant sleeveless black evening gown with white silk gloves for the ceremony.

The signature hairstyle that Farrow wore on Peyton Place became popular with her teenage fans, with long strands and short wispy bangs trending throughout the decade.

In 1965, Farrow chopped her hair into a short pixie cut, which was styled by French hairstylist Vidal Sassoon. The actress, who was still in Peyton Place's at the time, had her new haircut written into the script of the show.

In July 1966, Farrow and Sinatra announced their engagement. The actress was 21 years old at the time, while the famed crooner was 50. Sinatra proposed with a 9-carat pear-shaped engagement ring.

Farrow and Sinatra wed at the Sands Hotel in Las Vegas only a few days later, with the bride opting for a white two-piece suit.

Farrow and Sinatra were counted amongst Truman Capote's close friends, as they attended his famous Black and White Ball in November 1966.

Farrow and Sinatra on the dance floor of the Sands Hotel. The crooner frequented Las Vegas, as he often performed there.

Farrow is photographed in London, sporting a grown-out hairstyle. But as it turns out, the actress was simply wearing a wig for a role.

From her modern pixie cut to her elegant style, Farrow was one of the decade's greatest style icons. Here, she dons a couture gown by French designer Pierre Cardin in Sinatra's New York City townhouse.

Known for her effortless style, Farrow attended a fashion presentation in Paris in 1967 dressed in a trendy Peter Pan collared mini dress.

Farrow wears a white chiffon evening gown to meet Princess Margaret in 1967. The Princess greeted Farrow and her costar, Laurence Harvey, at the London premiere of their film The Taming of the Shrew.

Farrow during a costume fitting for A Dandy in Aspic in 1967. The film, released in 1968, was one of many projects Farrow starred in that year.

Celebrity hairstylist, Vidal Sassoon, cuts Farrow's famous pixie in front of the press, as the actress prepares for her upcoming role in Rosemary's Baby.

Farrow in costume on the set of Rosemary's Baby. The film, directed by Roman Polanski, was shot on location in New York.

While filming Rosemary's Baby, Sinatra served Farrow with divorce papers, ending their one-year marriage. The couple's proceedings were finalized in 1968, though they remained friends.

Farrow poses with director Roman Polanski and his wife, actress Sharon Tate, at the premiere of Rosemary's Baby at the Cannes Film Festival. Polanski had originally envisioned Tate in the role of Rosemary Woodhouse, but Paramount decided to cast Farrow instead.

After the success of Rosemary's Baby, Farrow earned her place among Hollywood's top actresses, with the fans to prove it. In 1969, she was nominated for the Academy Award for Best Actress.

Farrow joined religious leader, Maharishi Mahesh Yogi, in 1968 for a meditation retreat in India. The actress accompanied him back to India after his tour in the United States.

Farrow dons a high-neck sequin mini dress in her film A Dandy in Aspic. The spy film, which she costarred in with Laurence Harvey, was released in 1968.

In A Dandy in Aspic, Farrow played a photographer who has an affair with a British agent in the Cold War-era film, which was adapted from a novel of the same name by Derek Marlowe.

Farrow didn't ditch her blonde pixie cut for Secret Ceremony with Elizabeth Taylor in 1968, she just wore a brunette bob wig for the role. Clearly, this is a common theme in Farrow's life at this time.

Farrow wears a light blue button-down and straw hat on vacation in Bermuda in 1969, where she changed up her hair again with a long red look.

Farrow is photographed on a trip to Hamilton, Bermuda, where she was accompanied by director Peter Yates.

Farrow dries off in a scene for John and Mary. Farrow costarred in the romantic drama with Dustin Hoffman, and it was directed by Peter Yates.

Farrow plays around on the guitar, as she waits behind the scenes on the set of John and Mary, which was filmed in New York.

Farrow is photographed with composer André Previn in England. The actress started seeing Previn while he was still married, however he divorced his wife to marry the actress in 1970.

Farrow and Previn's affair resulted in the actress's first pregnancy in 1969. Here, the pregnant actress attends a party for Previn's concert at Carnegie Hall in December 1969. The couple welcomed twins, Matthew and Sascha Previn, in February 1970.

Farrow was very familiar with her costars from The Wrecking Crew, as Dean Martin was close friends with her ex-husband, Frank Sinatra, and Sharon Tate was married to her Rosemary's Baby director, Roman Polanski.

Farrow with her twin sons in 1971. The actress went on to become a mother of 14 children, four biological and ten adopted, though she has sadly lost three of her adopted children.

Throughout the early '70s, Farrow embraced the stage. Farrow was also the first American actress allowed to join the Royal Shakespeare Company.

In one of her most well-known roles, Farrow starred alongside Robert Redford in the 1974 film adaptation of The Great Gatsby. The actress grew out her hair to play heiress Daisy Buchanan.

In-between scenes of The Great Gatsby, Farrow needlepoints on-set. Although the actress was renowned for her role in the film, the part of Daisy was first offered to Natalie Wood, who turned it down.