The great use of unnecessary hyperbole of all-time

The great use of unnecessary hyperbole of all-time
By Eric Raskin/Maxboxing.com
November 12, 2007

Over the course of 12 rounds of intense action between Miguel Cotto and Shane Mosley at Madison Square Garden on Saturday night, HBO’s Jim Lampley dropped words such as “tremendous,” “magnificent,” and “great” to describe the fight. At the conclusion of the evening, he went so far as to wonder just how high on the list of greatest fights ever without a knockdown this one ranked.

Off the top of my head, I’d say it ranked 1,138th all-time.

I’m sorry, but this wasn’t a fight worthy of any kind of “all-time great” discussion. I’m not trying to be negative here; in my opinion, Cotto-Mosley was a very good boxing match. Cotto produced a good performance in victory, and Mosley did likewise in defeat.

Unfortunately, nothing’s ever allowed to be just “good” anymore, or even “very good.” Everything has to have a superlative attached to it. Everything must be either a “10” or a “1,” because anything in between is boring.

What’s wrong with being “very good”? Nothing … except “great” has oomph to it, and “very good” is decidedly oomph-less. So in the rush to call this bout a “10” (since it was certainly closer to that than it was to a “1”), no lines were drawn between this and Castillo-Corrales, no distinctions were made between what Cotto did against Mosley and what Joe Calzaghe did against Mikkel Kessler a week earlier. Sadly, sports journalism has largely devolved into a contest not to make the smartest observation, but to make the observation doused with the most hyperbole. What irritates me is that Cotto-Mosley didn’t need that. The viewers didn’t need to be sold on the fight they’d just paid $50 for. They enjoyed the classy pugilistic display, and they knew they got their money’s worth. Is it a crime to leave it at that?

While several of the Maxboxing boys were on the scene at MSG, I watched the fight on TV, and believe me, I know that there is often a huge difference between the entertainment value of being there live and watching digitally transmitted fighter facsimiles dance across a screen in someone’s living room.

I know it’s easy to get caught up in the excitement of thousands of Puerto Rican fans cheering on their hero – I’m one of those people who thought Felix Trinidad-Ricardo Mayorga was a Fight of the Year contender in ‘04 until I got home, watched the tape, and realized it was nothing more than a one-sided beatdown with a great opening round. So it certainly isn’t my intent to shred Lampley for going overboard, or to shred the deadline writers who thought they saw something special.

Hell, five days earlier Brian Kenny somehow called Sakio Bika-Jaidon Codrington the best fight he’d ever seen, and quite a few writers and fans instantly forgot about Israel Vazquez and Rafael Marquez in declaring Bika-Codrington the Fight of the Year. Overhyping what’s freshest in your mind, getting swept up in the live experience – these are natural, human responses. But let’s take a step back and be clear: Cotto-Mosley was not a great fight. It was very good, very close, and enhanced perhaps by the fact that it was very much less of a disappointment than the undercard that preceded it.

I scored the fight 114-114 (exactly the same in each round as the live Maxboxing round-by-round posted by Lee Groves), but the round I had the hardest time making up my mind about was the second, a stanza I awarded with almost no conviction to Sugar Shane. Give that one to Cotto, and I have it 115-113, the same as two of the judges. So I have absolutely no problem whatsoever recognizing Cotto as the winner and as the better fighter at this moment in time. But I was underwhelmed by the way he won. As Max Kellerman accurately observed (and I thought Max had a very good night overall, even if he’s trying a little too hard at times to channel Larry Merchant), Cotto didn’t really impose his will on Mosley. In rounds five and six, it seemed he was beginning to … but then Mosley got up on his toes and won the seventh, and in the ninth and 10th, Cotto inexplicably backed off and let Mosley back into the fight. The Puerto Rican appeared to me to flat-out give away the 12th round, a sure way to leave me underwhelmed even if you have the fight won comfortably (which Cotto certainly didn’t on my card).

Cotto jabbed very well. He boxed nicely. He counterpunched effectively in spots. He applied just enough pressure to make Mosley uncomfortable, and mixed in just enough movement to keep the future Hall of Famer guessing. Sometimes, that’s just how you win. Not every victory can be as dramatic as what Cotto did against Zab Judah or Ricardo Torres or as emphatic as what he did against Carlos Quintana. From Sugar Ray Robinson to Michael Jordan to Joe Montana, every great athlete has had days where they just did enough to win and didn’t come out looking like the number-one guy in their sport’s history.

But however you spin it, Cotto defeated Shane Friggin’ Mosley. That’s no easy feat, and I’d be insane not to give the guy credit. But this wasn’t a statement victory. This wasn’t Miguel Cotto’s coming-out party. This wasn’t the passing of the torch from the fading legend to the legend-in-the-making.

This was just a very good pugilistic contest between two evenly matched, championship-level fighters. That was good enough for me. Too bad “good enough” is a forbidden phrase in sports journalism nowadays.

EMPTYING MY CLUTTERED MIND …

  • The Bika-Codrington Contender 3 finale was probably worth its own column, but I’ll try to boil it down to a few quick observations:

    Gotta love ESPN boxing in HD. Any reason we can’t use that technology on Friday Night Fights next year?

    I’m glad Bika didn’t get DQ’d for hitting Codrington while he was down in the first round, since it would have deprived us of a thrilling slugfest, but how is it possible that he didn’t even get a warning? He threw two punches while Jaidon was on the canvas, and while the first shot may have been excusable as a continuation of the punching that put Codrington down, the second punch was a flagrant foul, just about as blatantly illegal as the shots that earned Roy Jones a loss against Montell Griffin.

    I think the notion that Codrington can’t take a punch has been put to rest. Allan Green is a heavy-handed puncher who caught “The Don” cold. Hey, it happens. But not a whole lot of guys could have lasted half as long as Codrington did against Bika absorbing those shots.

    As far as comedy goes, Bika talking without subtitles is the exact opposite of a Dane Cook routine. Too bad Brian Kenny thinks on his feet well enough to make the decision after one question to shift the interview over to Pepe Correa instead.

    Nice scarf, Ray. Where was your matching touk?

  • Good news for boxing writers: We have a new horrendous modern decision to reference so we can stop comparing every outrageous outcome to Courtney Burton-Emanuel Augustus. The scoring in the Joel Casamayor-Jose Armando Santa Cruz fight wasn’t just bad; it was unfathomable. I had it 119-110 Santa Cruz, in the same neighborhood as Harold Lederman and most of the ringside press. If by chance I was a judge who didn’t care one bit about holding and didn’t care one bit about fighting in reverse, and was judging the fight based solely on the punching, maybe I could see giving Casamayor three or four rounds. But that’s the maximum. The judges gave him seven, seven, and six rounds. Absolutely pathetic. Casamayor still must be recognized as the linear lightweight champion of the world, but if you want to tell me he’s so faded that he isn’t even one of the 10 best 135-pounders anymore, I won’t argue too loudly. I haven’t seen timing that off since Britney Spears’ last adventure with drunken lip synching.

  • I know it’s unimpressive to say this after the fact, but I really was thinking it beforehand and never got around to putting it in print: Saturday’s PPV show had a brutally overrated undercard. It was obvious that Antonio Margarito-Golden Johnson was a gross mismatch (I figured it was going three or four rounds, max). Casamayor-Santa Cruz looked like a competitive matchup, but not an exciting one. Victor Ortiz-Carlos Maussa was the only fight I was really looking forward to, thinking Maussa would provide a stiff test for the young prospect (boy was I wrong about that). Certainly, the main event made the show worth ordering regardless of the undercard, but the notion that the undercard was going to provide significant added value seemed farcical to me all along.

  • A difference in sitcom taste probably isn’t worth starting a writer-vs.-writer feud over, but are you serious, Steve Kim? Big Bang Theory and Two And A Half Men? I’ve seen one episode of each, and I’ll never get those 60 minutes of my life back. Compared to NBC’s Thursday night lineup, featuring 30 Rock and The Office, how could you possibly use these shows to make your point that the sitcom genre isn’t dead? Fifteen years ago, while everyone else was watching Cheers and Seinfeld, were you heaping praise upon Full House and Family Matters?

  • While on the topic of the current state of television, as long as this brutal writer’s guild strike is going on, how about hurrying up that fourth season of The Contender—and giving us a full roster of 16 fighters and 15 episodes this time? (And if any acquaintances of Mark Burnett are reading this, can we push for a third season of Rock Star, please?)

  • Here’s a tough night for you: You spend somewhere in the low four figures for fourth-row seats to Cotto-Mosley at Madison Square Garden, you get to the arena … and your seat is directly behind the 7’1”, 325-pound Shaquille O’Neal. I hope Shaq at least had the decency to provide a loud play-by-play so that poor sap behind him would have an idea of what was going on.

  • For 24/7 boxing news check out Maxboxing.com.

    Updated on Monday, Nov 12, 2007 2:14 pm, EST

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